Josh Sperling, Untitled (Tondo 1), 2017
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Main reasons to invest
Return Potential📈: An investment of €500 could reach an estimated value of €990 in 3 years.
Cost-to-Return Ratio⚖️: With just 3.6% annual total costs, your net profit could be 25.6% per year.
Museum & Public Collections 🖼️: His works are included in prominent institutional collections such as Fondation Louis Vuitton (Paris) and Arsenal Contemporary (Montreal), which suggests long-term cultural significance — an important factor for many collectors. Josh Sperling’s installations can be found in many Louis Vuitton stores including London, New Bond Street and Dubai.
Description
| Metric | Value |
|---|---|
| Investment Horizon | 2–3 Years |
| Expected CAGR (Balanced) | 25.6% p.a. after fees |
| Optimistic CAGR | 34.1% p.a. after fees |
| Entry Discount | 0.0% vs. current market benchmarks |
| Sharpe Ratio | 0.88 (vs. SMI: 0.61) |
| Value at Risk (VaR) | 83.9% chance to exceed release value after 3 years |
| Standard Deviation | 31.0% |
| Risk Rating | B (7.2/10 – Moderate Risk) |
- 2–3 Year Horizon: Short- to mid-term opportunity aligned with expected normalization of Sperling’s secondary market pricing.
- 25.6% CAGR (Balanced): Based on historical pricing for comparable works and adjusted for current market dynamics.
- 34.1% CAGR (Optimistic): Assumes a faster recovery and demand reacceleration aligned with peak secondary prices.
- 0.0% Entry Discount: Acquired at fair market value, but materially below historical peak prices.
- Sharpe Ratio of 0.88: Indicates strong risk-adjusted performance, outperforming traditional indices.
- VaR 83.9%: Solid downside protection based on conservative risk modeling over a 3-year period.
- 31.0% Standard Deviation: Typical for emerging contemporary artists, modeled against auction peers.
- Risk Rating “B”: Moderate risk profile supported by market comps and strong institutional gallery backing.
For centuries, art was collected for its cultural, emotional, intellectual, political, and economic value. Investing in a mid-career artist offers a mix of financial potential and personal satisfaction, making it an appealing option for both new and seasoned collectors.
Josh Sperling’s Untitled (Tondo 1) is a work that blends international credibility, institutional backing, and unmistakable aesthetic identity—hallmarks of a blue-chip contemporary art investment. Represented by Galerie Perrotin, one of the most respected and globally active galleries, Sperling benefits from exposure in the world’s leading art markets, including New York, Paris, Hong Kong, and Seoul. Perrotin’s endorsement signals both critical validation and commercial appeal, and its long-term commitment to Sperling enhances his visibility and career stability.
Sperling’s work has already entered prestigious public collections such as the Fondation Louis Vuitton in Paris, Arsenal Contemporary in Montreal, and the Powerlong and Rockbund Museums in Shanghai—further anchoring his long-term cultural significance. His frequent collaboration with luxury brands like Louis Vuitton, including large-scale installations in global flagship stores, demonstrates both crossover appeal and sustained institutional support.
Aesthetically, Sperling’s shaped canvases and sculptural use of color offer a highly distinctive visual language in the current market. His artworks are instantly recognizable—a vital asset in a crowded contemporary field where uniqueness often drives collector demand. Untitled (Tondo 1), with its refined circular form and elegant blue palette, presents a strong example of his mature style and market-friendly scale.
Josh Sperling’s Untitled (Tondo 1) combines strong gallery representation, institutional validation, and a highly distinctive visual language. With international exposure, limited supply, and growing museum recognition, the work offers a compelling balance of cultural relevance and market potential within the contemporary art segment.
Expert
Founded in Singapore in 1994, Opera Gallery has forged, over its 30 years, a network of 16 galleries worldwide including London, Paris, New York, Geneva, Hong Kong, and Seoul, establishing itself as one of the leading global players within the international art market. Headed by Gilles Dyan, Opera Gallery specialises in post-war French art, and in Modern and Contemporary European, American, and Asian art. In addition, the gallery represents international emerging artists such as Andy Denzler, Anthony James and Gustavo Nazareno. and more established contemporary artists such as Ron Arad, Manolo Valdés, and Anselm Reyle.
