Thomas Dillon, Portfolio of two works, 2023/2025
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Main reasons to invest
Return Potentialđ: An investment of âŹ500 could reach an estimated value of âŹ1,083 in 4 years.
Cost-to-Return Ratioâď¸: With just 2.9% annual total costs, your net profit could be 21.3% per year.
Basquiat-Adjacent Visual Language đ§ : Dillonâs raw, figurative expressionist styleâmarked by thick impasto and instinctive executionâhas drawn repeated comparisons to Jean-Michel Basquiat. Artists with a highly recognizable, emotionally charged visual language often command enduring collector demand. These works capture Dillonâs âprimal driveâ at scale, positioning it as a reference piece within his evolving oeuvre.
Description
| Metric | Value |
|---|---|
| Investment Horizon | 2â4 years (target exit 2028â2030) |
| Potential Net ROI p.a. (Balanced) | 21.3% p.a. |
| Potential Net ROI p.a. (Ambitious) | 25.0% p.a. |
| Entry Discount (Pre-Fees) | -19.6% vs. current primary pricing |
| Sharpe Ratio | 0.71 (moderate risk-adjusted return) |
| Value at Risk (VaR) | 92.91% probability to exceed initial investment after 4 years |
| Standard Deviation | 31.0% |
| Overall Risk Rating | B (7.2 / 10 â Moderate Risk) |
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2â4 Year Horizon: Exit window aligned with Thomas Dillonâs accelerating gallery-led career trajectory and increasing institutional exposure.
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21.3% Net ROI p.a. (Balanced): Based on historical gallery price increases since 2021 and a built-in entry discount to primary market pricing.
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25.0% Net ROI p.a. (Ambitious): Reflects upside if Dillonâs market continues to reprice following institutional validation and collector demand.
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-19.6% Entry Discount (Pre-Fees): Provides an immediate downside buffer relative to current primary prices for comparable Dillon works.
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Sharpe Ratio of 0.71: Indicates a solid, moderate risk-adjusted return profile typical for high-quality emerging contemporary art.
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92.91% VaR Protection: Very high probability that the portfolio exceeds invested capital over the planned holding period.
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31.0% Volatility: Reflects measured price variability consistent with emerging artists under strong gallery representation.
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Risk Rating âBâ (7.2/10): Balanced risk profile supported by entry discount, gallery backing, and disciplined primary pricing.
Why Invest in This Category? đ¨
Investing in art combines cultural relevance, scarcity, and long-term value appreciation into a resilient alternative asset class. The global art market reached over USD 65 billion in annual sales, supported by a deep base of collectors, institutions, and museums. Historically, blue-chip and well-curated contemporary art segments have delivered ~8â10% long-term annual returns, with select emerging artists outperforming during career inflection points. Art benefits from low correlation to traditional markets, tangible ownership, and finite supplyâparticularly for unique works. Strong gallery representation, exhibition history, and documented provenance further enhance liquidity, price transparency, and downside protection for investors.
Why Invest in This Asset? đ
Collectors are drawn to this work because it embodies Thomas Dillonâs artistic language at its most complete and uncompromising. Executed at monumental scale and created as a unique piece, the painting reflects Dillonâs distinctive approach: mining figures and beasts from abstract fields through an intuitive, almost trance-like process. The resulting imagery feels raw, primal, and deeply expressiveâqualities that resonate strongly with collectors seeking authenticity rather than decorative appeal.
Dillonâs practice stands out for its immediacy. Thick impasto, aggressive mark-making, and chaotic surfaces give the work a visceral physical presence that is increasingly rare in a market saturated with polished or concept-driven abstraction. This sense of urgency and emotional intensity has led to frequent comparisons with Jean-Michel Basquiat, particularly in the way Dillon works instinctively from a âprimal drive,â allowing figures to emerge rather than be planned.
Equally important to collectors is context. Dillon is represented by Shrine in New York, a gallery known for identifying and cultivating emerging artists with strong long-term potential. Shrineâs program has already produced significant secondary-market success, and Dillonâs solo presentation at the Armory Showâan arena typically reserved for established namesâsignals institutional confidence well ahead of his career stage.
For collectors, this investment opportubnity is a defining example of Dillonâs vision, created at the largest scale of his career to date and exhibited on an international stage. As with many highly sought-after artists, collectors compete for early, uncompromising works that best encapsulate the artistâs identityâassets that later become reference points as careers mature.
Expert

Founded in Singapore in 1994, Opera Gallery has forged, over its 30 years, a network of 16 galleries worldwide including London, Paris, New York, Geneva, Hong Kong, and Seoul, establishing itself as one of the leading global players within the international art market. Headed by Gilles Dyan, Opera Gallery specialises in post-war French art, and in Modern and Contemporary European, American, and Asian art. In addition, the gallery represents international emerging artists such as Andy Denzler, Anthony James and Gustavo Nazareno. and more established contemporary artists such as Ron Arad, Manolo ValdĂŠs, and Anselm Reyle.





